“In
and out”,
9’38”, 2001
Imagine you are in a room somewhere on the coast
of the Pacific
Ocean. You might be high up but you don't know
because there are no windows in the room. You don't
even know if the Pacific Ocean is outside, but they say
it
is so it must be. Light is provided by specially calibrated
halogen bulbs that offer a variety of spectrums and
temperatures. The carpet and walls are almost the same
color. The chair
you sit in is made of a new chemical compound of foam
that
gives the sensation of the absence of body. A thermostat
imbedded in the ceiling maintains the temperature at
an even 72 degrees. The sound of a couple fighting
in a foreign
language is heard from a neighboring room. Every so
often a man comes in who wears a suit that matches the
carpet
and walls. He asks you if you'd like a beverage or
a snack or perhaps he could dim the lights or adjust
your
chair.
He smiles and says he is new to the city. He had come
from somewhere in-land. A country you've never heard
of; a country
less democratic than the one you are in now. You think
it could be somewhere in Asia but then you look at
him and he bares a striking resemblance to Jerry Lewis
and
you decide it must not be the country you had in mind.
And then he smiles again and asks you how long you've
been here and this is where things get a bit murky.
Jonah
Freeman
|
Lives and works in New York
City |
|
Education |
1997 |
B.F.A., New York University, Tisch School
of the Arts, New York City |
1993 |
Walnut Hill School for the Arts, Natick,
MA |
1992 |
Parsons School of Design, New York, NY |
|
Solo
exhibitions |
2003 |
“Jonah Freeman” Andrew Kreps Gallery, New
York City |
2002 |
“In the Public Realm: Sixteen Scenarios,” Public
Art Fund, Brooklyn Public Library |
|
“Jonah Freeman” Edward Mitterand, Geneva,
Switzerland |
2001 |
“Urban Pornography: Project Room” Artists
Space, New York City |
2000 |
“Jonah Freeman” Andrew Kreps Gallery, New
York City |
1998 |
“Jonah Freeman” Andrew Kreps Gallery, New
York City |
1997 |
“Jonah Freeman” Andrew Kreps Gallery, New
York City |
1996 |
“Project Room” Ten in One Gallery, Chicago,
IL |
|
Museum
exhibitions |
2003 |
Prague Biennale 1, Prague Czech Republic |
|
“Altered Spaces: Video Art and the Physical
World,” Cheekwood Museum, Nashville, Tennessee |
2001 |
Tirana Biennial, Tirana, Albania |
2000 |
“Greater New York” P.S.1 / MOMA, New York
City |
1997 |
“WhimSiecle” Collezione Peggy Guggenheim,
Venice, Italy; Chateau Marmont, Los Angeles, California |
|
Selected
group exhibitions |
2003 |
“The Bedroom Show” curated by Scott Hug,
John Connelly Presents, New York City |
2002 |
“Staged/Unstaged” Riva Gallery, curated
by Lauri Firstenberg, New York City |
|
“Home Movies” SF Cameraworks, curated by
Marisa Olson, San Francisco, CA. |
|
Illuminations Marvelli Gallery, curated
Lorenzo Rodriguez, New York City |
|
“Abstract Redux” Danese Gallery, New York
City |
|
“State of the Gallery” Andrew Kreps Gallery,
New York City |
2001 |
“Work” Folin/ Riva, New York City |
|
“After the Diagram,” curated by Lauri Firstenberg
White Box, New York City |
2000 |
“Drawings and Photographs” Matthew Marks,
New York City |
|
“long days, longer nights” Galapagos Art
and Performance Space, Brooklyn NY |
|
“Transparent Architecture” GAle GAtes et
al, New York City |
|
“Nothing” Andrew Kreps Gallery, New York
City |
1999 |
“A Room With a View” Sixth@Prince Fine Art,
New York City |
|
“Summer Group Show” Andrew Kreps Gallery,
New York City |
1997 |
“PowWow” Life, New York City |
1996 |
“Basement Show” The Basement, New York City |
|
“Group Show” Andrew Kreps Gallery, New York
City |
|
“Repatriation”, Brecht Forum, New York City |
1994 |
“Difference Engine”, Providence, Rhode Island |
|
Grants
and awards |
2002 |
The Richard Kelly |