 |
|
| |
| Selected solo shows |
| 2003 |
Video & installation: Play Gallery, Berlin, Germany |
| 1998 |
Video & installation: Spacex Gallery, Exeter, England |
| 1997 |
Video: Anderson Gallery, Virginia Commonwealth |
| |
Video: Goethe Forum, Munich, Germany |
| |
Video: Museum für Kunsthandwerk, Frankfurt, Germany |
| |
|
| Selected group exhibitions
/ festivals |
| 2003 |
In-out-Festival, Prague, Czech Republic |
| |
25 Hours, TheVideoArtFoundation, Barcelona, Spain* |
| 2002 |
O.K. Centre of Contemporary Art in Linz, Austria |
| |
Paris Pekin, Espace Cardin, Paris, France* |
| 2001 |
La Biennale di Venezia, Hong Kong - China Pavilion, Venice,
Italy* |
| 2000 |
Hot Pot- Chinese Contemporary Art, at Kunstnernes Hus in Oslo,
Norway* |
| |
Food for thought- Chinese Contemporary Art, at La Witt Dame
in Eindhoven, Netherlands |
| |
Image Forum, Tokyo, Japan |
| 1999 |
Fast forward- Contemporary Chinese Video, Macau Contemporary
Art Museum |
| |
Transmediale 1999, Berlin |
| 1998 |
'Cities on the Move', Wiener Secession, Vienna, Austria* |
| 1997 |
Hong Kong Etc., Johannesburg Biennale, South Africa* |
| 1996 |
Second Asia Pacific Triennial of Contemporary Art, Brisbane,
Australia* |
| 1995 |
“Info Art”, Kwangju Biennale, Kwangju, Korea Curated by Kim
Hon Yee, Nam June Paik |
| |
*Catalogue |
| |
|
| Artists in residence programs |
| 1999 |
Residence Mu Art Foundation, Holland |
| 1998 |
Spacex Gallery, Exeter, England |
| 1996 |
Griffith University, Griffith Artworks, Australia |
| 1996-97 |
Hong Kong University of Science and Technology, Hong Kong |
| 1994 |
Kunsten Festival Des Arts, Brussels1994 |
| |
|
| Awards |
| 2001 |
Best International Feature film in New York International independent
Film and Video Festival. Director of Photographer for digital
film: "Woman's private part " directed by Barbara Wong |
| 1998 |
UK Visiting Arts, selected to be HK participant in Asia-Europe
Art Exchange |
| 1998 |
Fellowship for Artistic Development, granted by Visual Arts
Committee, Arts Development Council |
| 1997 |
Hong Kong Arts Development Council Travel Fund, for “Festival
of Cultures” in Munich |
| 1996 |
Hong Kong Arts Development Council Production Fund, for “I
only tell it to strangers” |
| 1995 |
Goethe Institute, Scholarship |
| 1991 |
Asian Cultural Council, 6 month Fellowship to travel and research
on American Art |
| 1989 |
Sign of Living Video Competition, organised by RTHK (Radio
Television Hong Kong) |
| |
|
| Video installation / Installation |
| Recycling Cinema (Installation) |
| 2003 |
Kaohsiung Museum of Fine Arts "How Big is the World" |
| 2002 |
O.K. Centrum fur Gegenwartskunst "How big is the world" |
| 2001 |
Hong Kong Bienniel, Hong Kong Museum of Art |
| |
Venice Bienniel, China-Hong Kong Pavilion, Venice, Italy |
| 2000 |
Saint Mary's University Art Gallery, Halifax, Canada |
| |
| Corpo Sem Memoria-Espectaculo de Arte Multimedia |
| 2000 |
A commissioned program in Macau Art Festival, What the body
remember is a program in Fire ritual+video+ Dance+ Rave +Sport
+ Site specific installation in Ruinas de S.Paulo |
| |
| Open Air Installation-KAM/ Sweetness |
| 1999 |
Fast>>Foreward, New Chinese Video Art”, presented by Fundacao
Oriente, Macao, |
| |
Galerie Rudolfinum, Czech Republic |
| 1998 |
“KAM”, presented by Microwave Festival, HK Cultural Centre,
Hong Kong |
| |
| Pledge (#4 of Bik Kai Chu series) |
| 1999 |
Louisiana Museum of Modern Art, Copenhagen, Denmark |
| 1998 |
PS1, Long Island City, New York, USA |
| |
CAPC, Bordeaux, France |
| |
New Voices: Contemporary Art from Hong Kong, Taipei and Shanghai”,
Hong Kong, Shanghai, Taipei 1998 |
| 1997 |
Group show: Wienner Secession “ City on the move”, Vienna |
| |
| Red Stock : Post Pledge Movement |
| 1998 |
Group show: New Vision, contemporary art from Taipei, Hong
Kong and Shanghai |
| 1997 |
Group show: 630, Hanart Gallery, Hong Kong |
| |
Group show: Festival of Cultures, Munich |
| |
Organised by Goethe Forum, Muffathalle, Galerie der Kunstler |
| |
|
| Recycled opera |
| 1996 |
Group show: Video Circle, in Hong Kong University of Science
and Technology exhibition Hall, Hong Kong |
| |
Presented by University Centre for the Arts |
| 1997 |
Group show: Media Circle |
| |
Presented by European Media Art Festival, Osnabruck, Germany |
| |
Group show: New Video Circle, Artspace, Sydney, Australia |
| |
Group show: Festival of Cultures, Hong Kong |
| |
Organised by Goethe Forum, Muffathalle, Galerie der Kunstler |
| |
| Drained IV (series #4 of Drained) |
| 1996 |
Group show: Asian Pacific Triennial of Contemporary Art |
| |
Presented by Queensland Art Gallery, Australia |
| 1997 |
“ Hong Kong Etc.” Johannesburg Biennale, South Africa |
| |
| I only tell it to stranger (series #3 of Bik Lai Chu) |
| 1996 |
Group show: Container 96 |
| |
Organised by Copenhagen Cultural Capital Foundation, Denmark |
| 1997 |
Group show: (Be)longing |
| |
Organised by Gallery Optica, Montreal, Canada |
| |
Curated by Mary Siu Yee Wong |
| |
| The Great Movement |
| 1995 |
Solo exhibition, Goethe Institute, Hong Kong |
| |
Presented by Goethe Institute |
| |
| Opera-tion theatre |
| 1995 |
presented in touring program “Obsessive Observation”, Kunsthaus
Oerlikon, Zurich |
| |
Curator: Harm Lux |
| |
| Pledge (series #2 of Bik Lai Chu) |
| 1995 |
Group show: “Info Art” Organised by Kwangju Biennale, Korea
Curated by Kim Hon Yee, Nam June Paik |
| |
| Drained III (series #3 of Drained) |
| 1995 |
Group show: “Ac.cul.tu.ra.tion : Art in the time of change” Organised
by Hong Kong Fringe Festival , exhibited at Hong Kong City
Hall |
| |
| Bik -Lai-Chu |
| 1994 |
Group show: The Festival of Hong Kong Installation. |
| |
Presented by Fringe Club and Hong Kong Visual Arts Research
Society. Curator: Andrew Lam |
| 1997 |
Group show: “Hong Kong Now! ”, Anderson Gallery, Virginia
Commonwealth University, USA. |
| |
| “22/mar/94” |
| 1994 |
Group show: “Voices from the edge:10 Chinese women artists” |
| |
Hanart TZ Gallery, Hong Kong. Curator: Valerie Doren |
| |
| A matter of memory |
| 1993 |
Group show: “Arts in June” |
| |
Presented by University of Democracy |
| |
Curated by Lau Kin Wai, Oscar Ho. |
| |
Exhibited at Hong Kong Art Centre, Pao’s Gallery. |
| |
| Vogue (bilingual titles) |
| 1992 |
Group show: “City Vibrance : Hong Kong Contemporary art in
western media” Presented by Hong Kong Museum of Art |
| |
| Part-time installation (collaborate with Chan Pik Yu) |
| 1991 |
Hong Kong Art Centre, commissioned by Hong Kong Art Centre
Film Department |
| |
| Alice doesn’t live here anymore (collaborated with Chan Pik
Yu and Jesse Dai) |
| 1990 |
Man & Earth, produced by Zuni Icosahedron |
| |
| Off Axis |
| 1988 |
Group show: “Areas” |
| |
Elizabeth House |
| |
| Dial S for Sanity (collaborated with Assembledge) |
| 1987 |
Produced by Assembledge, presented by Hong Kong Fringe Festival
8 |
| |
| Web Site Project |
| 2000 |
Hong Kong Heritage Museum |
| |
|
| |
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